Today on the bench: the Canon 11–165mm T2.5 Super 16, a true workhorse zoom with decades of stories still left to tell.
Today’s Service Journal features a well-used Zeiss Ultra Prime 40mm cinema lens, a staple focal length trusted across film and television productions for its optical consistency and reliable mechanics. This particular Ultra Prime arrived with visible cosmetic wear from years of on-set use, a common reality for lenses that see real production work.
After a full evaluation, we focused on restoring both the appearance and usability of the lens while preserving its original Zeiss build quality. The housing was re-anodized to restore the finish and improve durability, and all focus and iris markings were repainted for clear, high-contrast visibility on set. We also repaired chips and general wear in the metal housing wherever possible, improving both the look and feel of the lens.
While cosmetic lens repair is often overlooked, clear markings and a clean, well-maintained housing play a meaningful role in on-set efficiency. Faster lens swaps, more confident focus pulls, and fewer mistakes all add up when time matters. If your cinema lenses could benefit from Zeiss Ultra Prime service, cine lens repair, or cosmetic restoration, contact us to schedule professional service and keep your gear performing at its best.
Also in Service Journal
Lens Separation: Ultra Scope 85mm
Today on the bench: We treat a nasty, yet cool looking, case of separation in a rare Ultra Scope 85mm.
Lens Cleaning - Canon K35 25-120mm
Today on the bench: We have ourselves a real sticky situation with a Canon K35. We discover how much lens storage matters.
Added by Frank Ramirez
Duclos Lenses is the premier provider of professional cinema lens service, repair, and modifications. Contact us today to see what we can do for you!