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PRODUCT
Vista 40mm T1.5
The Tokina Cinema Vista 40mm T1.5 is a distinctive mid-range prime that offers a perspective slightly tighter than a 35mm while maintaining a natural sense of space. This focal length has become increasingly favored by cinematographers for its ability to...
PRODUCT
Vista 29mm T1.5
The Tokina Cinema Vista 29mm T1.5 is a natural, perspective-balanced prime that sits comfortably between classic 25mm and 35mm focal lengths, providing a field of view that feels grounded and true-to-life while still offering meaningful context and environment. This makes...
PRODUCT
FF Anamorphic/i 85mm Macro T2.8
The Anamophic /i lenses offer superb optical and mechanical performance. Like the S4/i, 5/i and miniS4/i prime lenses, the cam focus mechanism allows for smooth focus adjustments in the Anamorphic /i lenses. Modular construction increases ease of maintenance and serviceability....
PRODUCT
Anamorphic/i 25mm T2.3
The Anamophic /i lenses offer superb optical and mechanical performance. Like the S4/i, 5/i and miniS4/i prime lenses, the cam focus mechanism allows for smooth focus adjustments in the Anamorphic /i lenses. Modular construction increases ease of maintenance and serviceability....
PRODUCT
Anamorphic/i 180mm T2.8
The Anamophic /i lenses offer superb optical and mechanical performance. Like the S4/i, 5/i and miniS4/i prime lenses, the cam focus mechanism allows for smooth focus adjustments in the Anamorphic /i lenses. Modular construction increases ease of maintenance and serviceability....
PRODUCT
Arcana 1.5x 45mm T2.1
The DZOFILM Arcana 45mm T2.1 provides a versatile standard perspective within the hybrid anamorphic lineup, offering a natural field of view that closely approximates human vision while maintaining characteristic anamorphic compression. This focal length is particularly effective for narrative portraiture...
PRODUCT
Vista 85mm T1.5
The Tokina Cinema Vista 85mm T1.5 is a classic portrait and close-up prime that delivers elegant subject isolation with a natural sense of compression. On full-frame and large-format sensors, the 85mm focal length provides a flattering perspective for faces and...
PRODUCT
FF Anamorphic/i 180mm T2.3
The Anamophic /i lenses offer superb optical and mechanical performance. Like the S4/i, 5/i and miniS4/i prime lenses, the cam focus mechanism allows for smooth focus adjustments in the Anamorphic /i lenses. Modular construction increases ease of maintenance and serviceability....
PRODUCT
Vista-P 21mm T1.5
The Vista-P 21mm T1.5 is a variant of the original Vista Prime design that lowers overall contrast and introduces more pronounced spherical distortion for a Petzval-type “swirly” bokeh. It maintains large-format coverage (≈46.7mm image circle) with series-standard mechanics: T1.5 maximum...
PRODUCT
Vista-P 50mm T1.5
The Vista-P 50mm T1.5 is a variant of the original Vista Prime design that lowers overall contrast and introduces more noticeable spherical distortion, producing a Petzval-type “swirly” bokeh. It maintains large-format coverage (≈46.7mm image circle) with the standard mechanical characteristics...
PRODUCT
Venus 75mm T2.9 1.6x Anamorphic
The Sirui Venus 75mm T2.9 provides a 1.6x Anamorphic squeeze which renders a classic cinematic 2.40:1 (on 3:2 sensors) or 2.8:1 (on 16:9 sensors) when desqueezed. Designed for mirrorless full frame camera systems, the relatively compact, lightweight design makes the...
PRODUCT
ISCO4all A+
ISCO4all A+ combines three lightweight stand-alone spherical cinema primes and an anamorphic front adapter. The adapter is an upgrade of the famous ISCORAMA 54, which is considered a true classic among anamorphic film fans, with a 1.5x squeeze factor. The three...
PRODUCT
Anamorphic/i 32mm T2.3
The Anamophic /i lenses offer superb optical and mechanical performance. Like the S4/i, 5/i and miniS4/i prime lenses, the cam focus mechanism allows for smooth focus adjustments in the Anamorphic /i lenses. Modular construction increases ease of maintenance and serviceability....
PRODUCT
Argus Cine S35 33mm T1
The Argus Cine line of lenses share a common ultra-fast T1 maximum aperture for low-lighting performance. They feature dreamy bokeh, minimal focus breathing, and consistent color rendition and lens performance across the series. Available in Sony E, Canon RF, Fuji...
PRODUCT
Orion 50mm T2
Designed by cinematographers for cinematographers, the Atlas Orion Series lenses combine the aesthetic of vintage anamorphic lenses with modern convenience, adaptability, and dependability. The Orion Series feature waterfall bokeh, streak flare, a pleasant spherical aberration glow when wide open, and...
PRODUCT
High-Speed 135mm T2
The Sigma Cine 135mm T2 is a long telephoto prime designed for dramatic subject isolation and a refined cinematic compression of space. On full-frame cinema sensors, the 135mm delivers a tight, emotionally resonant perspective ideal for character close-ups, detail shots,...
PRODUCT
Orion 18mm T2
Designed by cinematographers for cinematographers, the Atlas Orion Series lenses combine the aesthetic of vintage anamorphic lenses with modern convenience, adaptability, and dependability. The Orion Series feature waterfall bokeh, streak flare, a pleasant spherical aberration glow when wide open, and...
PRODUCT
S7/i 18mm T2.0
The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors, at least the full sensor area of the RED Weapon 8K (46.31mm image circle). Shoot 35mm / Super 35mm formats, full...
PRODUCT
Orion 200mm T3.2
Designed by cinematographers for cinematographers, the Atlas Orion Series lenses combine the aesthetic of vintage anamorphic lenses with modern convenience, adaptability, and dependability. The Orion Series feature waterfall bokeh, streak flare, a pleasant spherical aberration glow when wide open, and...
PRODUCT
Arles 40mm T1.4
The Arles Primes from DZOFilm derive their name from the French town in which Vincent van Gogh garnered inspiration for some of his most influential work. The blistering fast T1.4 maximum aperture and Vista Vision coverage make the Arles 40mm...
PRODUCT
Arles 14mm T1.9
The Arles Primes from DZOFilm derive their name from the French town in which Vincent van Gogh garnered inspiration for some of his most influential work. The fast T1.9 maximum aperture and Vista Vision coverage make the Arles 14mm from...
PRODUCT
Orion SE 100mm T2
The Silver Edition lenses maintain the modern, mechanically reliable performance that sets the Orion Series apart from vintage anamorphic lenses, all while celebrating aspects of the silver screen cinema era. Precision-adjusted air space tunings paired with bold Silver Edition coatings result...
PRODUCT
Orion SE 28mm T2
The Silver Edition lenses maintain the modern, mechanically reliable performance that sets the Orion Series apart from vintage anamorphic lenses, all while celebrating aspects of the silver screen cinema era. Precision-adjusted air space tunings paired with bold Silver Edition coatings result...
PRODUCT
Panchro/i Classic FF 152mm T3.2
Looking for the vintage look without the vintage hassle? Cooke Optics has revived their classic Cooke Speed Panchro optics concept and mated it to a modern, reliable mechanical housing for a truly unique style. The new Cooke Panchro/i Classic primes...
PRODUCT
Vista ONE 35mm T1.5
The Tokina Cinema Vista ONE series of prime lenses feature high quality optical and mechanical design that focuses on the user experience and image control. A special single coated front element affords these lenses a unique, character-rich image in specific...
PRODUCT
FF Anamorphic/i 100mm T2.3
The Anamophic /i lenses offer superb optical and mechanical performance. Like the S4/i, 5/i and miniS4/i prime lenses, the cam focus mechanism allows for smooth focus adjustments in the Anamorphic /i lenses. Modular construction increases ease of maintenance and serviceability....
PRODUCT
Mercury 32mm T2.2
The Mercury Series from Atlas redefines modern anamorphic cinematography by offering compact, full-frame lenses that deliver timeless character with everyday usability. The 32mm strikes a natural balance between wide and standard perspectives, pairing the 1.5x squeeze with flattering field curvature,...
PRODUCT
Classic 135mm T3.2
The Sigma Cine Classic 135mm T3.2 is a long telephoto prime built for dramatic subject emphasis and a nostalgic, atmospheric image character. While it is rated at T3.2, the optical design originates from a fast f/1.8 platform, allowing the lens...
PRODUCT
Arles 35mm T1.4
The Arles Primes from DZOFilm derive their name from the French town in which Vincent van Gogh garnered inspiration for some of his most influential work. The blistering fast T1.4 maximum aperture and Vista Vision coverage make the Arles 35mm...
PRODUCT
Arles 75mm T1.4
The Arles Primes from DZOFilm derive their name from the French town in which Vincent van Gogh garnered inspiration for some of his most influential work. The blistering fast T1.4 maximum aperture and Vista Vision coverage make the Arles 75mm...
PRODUCT
Vista-P 40mm T1.5
The Vista-P 40mm T1.5 is a variant of the original Vista Prime design that lowers overall contrast and introduces more pronounced spherical distortion for a Petzval-type “swirly” bokeh. It maintains large-format coverage (≈46.7mm image circle) with the standard mechanical characteristics...
PRODUCT
Vista-P 105mm T1.5
The Vista-P 105mm T1.5 is a variant of the original Vista Prime design that lowers overall contrast and introduces stronger spherical distortion for a Petzval-type “swirly” bokeh. It maintains large-format coverage (≈46.7mm image circle) with the standard mechanical characteristics of...
PRODUCT
Mercury 54mm T2.2
The Mercury 54mm T2.2 lens is a must-have for every filmmaker, providing warm vintage tones, 1.5x anamorphic squeeze ratio with enhanced bokeh, and a dynamic optical geometric personality. It features golden flares from direct light sources, near-zero chromatic aberration, and pleasant...
PRODUCT
Orion 21mm T2
Designed by cinematographers for cinematographers, the Atlas Orion Series lenses combine the aesthetic of vintage anamorphic lenses with modern convenience, adaptability, and dependability. The Orion Series feature waterfall bokeh, streak flare, a pleasant spherical aberration glow when wide open, and...
PRODUCT
Night Walker 24mm T1.2
Designed to cater to cinematographers and filmmakers on a budget, the Night Walker series features five versatile lenses, including 16mm, 24mm, 35mm, 55mm, and 75mm focal lengths, each boasting an impressive T1.2 aperture. These lenses are compatible with APS-C and...
PRODUCT
Argus Cine S35 3-Lens Bundle
The Laowa Argus Cine S35 3-Lens Bundle includes the 18mm, 25mm, and 33mm. The Argus Cine line of lenses share a common ultra-fast T1 maximum aperture for low-lighting performance. They feature dreamy bokeh, minimal focus breathing, and consistent color rendition...
PRODUCT
Panchro/i Classic FF 32mm T2.2
Looking for the vintage look without the vintage hassle? Cooke Optics has revived their classic Cooke Speed Panchro optics concept and mated it to a modern, reliable mechanical housing for a truly unique style. The new Cooke Panchro/i Classic primes...
PRODUCT
Vista-P 85mm T1.5
The Vista-P 85mm T1.5 is a variant of the original Vista Prime design that lowers overall contrast and introduces more pronounced spherical distortion, producing a Petzval-type “swirly” bokeh. It maintains large-format coverage (≈46.7mm image circle) with the standard mechanical characteristics...
PRODUCT
Argus Cine S35 25mm T1
The Argus Cine line of lenses share a common ultra-fast T1 maximum aperture for low-lighting performance. They feature dreamy bokeh, minimal focus breathing, and consistent color rendition and lens performance across the series. Available in Sony E, Canon RF, Fuji...
PRODUCT
S7/i 16mm T2.0
The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors, at least the full sensor area of the RED Weapon 8K (46.31mm image circle). Shoot 35mm / Super 35mm formats, full...
PRODUCT
Argus Cine S35 18mm T1
The Argus Cine line of lenses share a common ultra-fast T1 maximum aperture for low-lighting performance. They feature dreamy bokeh, minimal focus breathing, and consistent color rendition and lens performance across the series. Available in Sony E, Canon RF, Fuji...
PRODUCT
APO Cambrian 55mm T2.0
The Dulens APO Cambrian Prime 55mm T2.0 provides expansive medium format coverage for large sensors such as the ARRI Alexa 65 and Fujifilm GFX Eterna, serving as a versatile wide-standard prime. On these larger canvases, the 55mm offers a field...
PRODUCT
Arles 135mm T1.8
The Arles Primes from DZOFilm derive their name from the French town in which Vincent van Gogh garnered inspiration for some of his most influential work. The fast T1.8 maximum aperture and Vista Vision coverage make the Arles 135mm from...
PRODUCT
S7/i 21mm T2.0
The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors, at least the full sensor area of the RED Weapon 8K (46.31mm image circle). Shoot 35mm / Super 35mm formats, full...
PRODUCT
7.5mm T2.9 Zero-D Cine
The Laowa 7.5mm T2.9 Zero-D S35 Cine is the widest rectilinear prime lens you can find in the Super35 market, covering a 123° angle of view. It produces high-quality images with “Zero-Distortion” and minimal chromatic aberration which saves filmmakers a...
PRODUCT
Mitakon Speedmaster 35mm T1
The Zhong-Yi Mitakon Speedmaster 35mm T1 is an ultra fast prime lens with full manual control, ideal for dreamy, creative cinematography. The Speedmaster 35mm comes in several native mount options. Distinguished by its impressive T1 (f/0.95) maximum aperture, this lens...
PRODUCT
Loxia 35mm f/2.0 Biogon
ZEISS Loxia lenses were specifically designed for Sony E mount cameras. This means that they can make the most of the mirrorless, full frame system, while giving you all the creative possibilities of classic photography with manual focus at the...
PRODUCT
Vista-P 29mm T1.5
The Vista-P 29mm T1.5 is a variant of the original Vista Prime design that lowers overall contrast and introduces stronger spherical distortion for a Petzval-type “swirly” bokeh. It maintains large-format coverage (≈46.7mm image circle) and shares the mechanical characteristics of...