The Rokinon Cine DS 4-Lens Set consists of four high-speed prime lenses including a 24, 35, 50, and 85mm. The included Rokinon Cine DS lenses cover full-frame and work with any Canon EF mount cameras. The Cine DS line features cinema friendly features such as integrated...
The Vespid primes from DZOFilm derive their name from the agile wasp. Their light weight is impressive considering the Full Frame coverage they provide for a wide range of Vista Vision and Large Format sensors. Fully manual operation with integrated 32-pitch...
The Tokina Cinema Vista ONE series of prime lenses feature high quality optical and mechanical design that focuses on the user experience and image control. A special single coated front element affords these lenses a unique, character-rich image in specific...
The Vista-P 180mm T1.9 is a variant of the original Vista Prime design that lowers overall contrast and introduces more pronounced spherical distortion, producing a Petzval-type “swirly” bokeh. It maintains large-format coverage (≈46.7mm image circle) with the series’ shared mechanical...
The full frame Xenon 18mm offers the same great features as the other Xenon lenses including an interchangeable mount system, 24x36 full frame coverage, standardized front diameter, external dimensions and gear position, and great compact build quality. While it's slightly...
Genuine Leitz factory 80mm front cap designed specifically for the M0.8 primes.
The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors, at least the full sensor area of the RED Weapon 8K (46.31mm image circle). Shoot 35mm / Super 35mm formats, full...
The Sigma Cine Classic 105mm T2.5 is a telephoto portrait prime that provides strong subject isolation and a nostalgic, cinematic sense of depth. Despite its T2.5 transmission rating, the lens is based on a fast f/1.4 optical design, allowing it...
Looking for the vintage look without the vintage hassle? Cooke Optics has revived their classic Cooke Speed Panchro optics concept and mated it to a modern, reliable mechanical housing for a truly unique style. The new Cooke Panchro/i Classic primes...
The 15mm is an ultra-wide rectilinear lens with little to no distortion, hence the 'Zero-D' in the name. Full Frame coverage and fast T2.0 aperture provide a shallow DoF despite it's ultra wide focal length. It's ultra compact size and...
The Xenon 100mm is an excellent portrait and interview lens with a narrow, isolating filed of view. All of the Xenon FF-Primes feature a maximum aperture of T2.1, utilize a 35mm Full Frame image circle (24x36mm), and are offered in...
The Mercury Series from Atlas reimagines what an anamorphic lens can be—compact, full-frame, and expressive, without sacrificing professional performance. The 27mm delivers the same 1.5x squeeze and vintage optical personality found throughout the lineup, with oval bokeh, golden flares, and...
Genuine factory replacement for most Cooke prime lenses.
The new Laowa Sword Macro cine lenses cover Full Frame formats, delivering superb optical performance, stunning color rendition, and exceptional macro capabilities. Compact and light weight with each weighing in at under 2.2 lbs (1kg), they are among the lightest...
Designed by cinematographers for cinematographers, the Atlas Orion Series lenses combine the aesthetic of vintage anamorphic lenses with modern convenience, adaptability, and dependability. The Orion Series feature waterfall bokeh, streak flare, a pleasant spherical aberration glow when wide open, and...
The Sigma Cine Classic 50mm T2.5 is a normal prime that blends realistic perspective with a nostalgic, film-inspired rendering. Though the lens is rated at T2.5, its underlying optical design is based on a fast f/1.4 aperture, enabling naturally shallow...
Looking for the vintage look without the vintage hassle? Cooke Optics has revived their classic Cooke Speed Panchro optics concept and mated it to a modern, reliable mechanical housing for a truly unique style. The new Cooke Panchro/i Classic primes...
The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors, at least the full sensor area of the RED Weapon 8K (46.31mm image circle). Shoot 35mm / Super 35mm formats, full...
The Cinema prime CN-R 35mm T1.5 lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments. Intended for the working professional, the RF Cinema prime CN-R 35mm T1.5 lens has markings...
Looking for the vintage look without the vintage hassle? Cooke Optics has revived their classic Cooke Speed Panchro optics concept and mated it to a modern, reliable mechanical housing for a truly unique style. The new Cooke Panchro/i Classic primes...
Looking for the vintage look without the vintage hassle? Cooke Optics has revived their classic Cooke Speed Panchro optics concept and mated it to a modern, reliable mechanical housing for a truly unique style. The new Cooke Panchro/i Classic primes...
The Argus Cine line of lenses share a common ultra-fast T1 maximum aperture for low-lighting performance. They feature dreamy bokeh, minimal focus breathing, and consistent color rendition and lens performance across the series. Available in Sony E, Canon RF, and...
The Thypoch Simera-C cine primes are one of the most compact Full Frame lenses for mirrorless cameras, designed for capturing challenging angles and navigating tight spaces which makes them perfect for handheld and gimbal setups. With the heaviest weighing in...
The Arles Primes from DZOFilm derive their name from the French town in which Vincent van Gogh garnered inspiration for some of his most influential work. The blistering fast T1.4 maximum aperture and Vista Vision coverage make the Arles 21mm...
The Laowa Argus Cine FF 3-Lens Bundle includes the 28mm, 35mm, and 45mm. The Argus Cine line of lenses share a common ultra-fast T1 maximum aperture for low-lighting performance. They feature dreamy bokeh, minimal focus breathing, and consistent color rendition...
Canon's RF Cinema Prime Lens, the CN-R 14mm T3.1 L F, offers superior 8K-image quality and a full-frame image circle with an outstanding wide-angle field of view. Optimized for motion picture production, it is one of the newest entries to the...
Looking for the vintage look without the vintage hassle? Cooke Optics has revived their classic Cooke Speed Panchro optics concept and mated it to a modern, reliable mechanical housing for a truly unique style. The new Cooke Panchro/i Classic primes...
Looking for the vintage look without the vintage hassle? Cooke Optics has revived their classic Cooke Speed Panchro optics concept and mated it to a modern, reliable mechanical housing for a truly unique style. The new Cooke Panchro/i Classic primes...
The 35mm is a great, slightly wide angle all purpose lens, especially when for larger format sensors. All of the Xenon FF-Primes feature a maximum aperture of T2.1, utilize a 35mm Full Frame image circle (24x36mm), and are offered in...
<p>The Sigma Cine Classic 85mm T2.5 is a portrait-oriented prime that emphasizes subject isolation and emotional presence with a nostalgic, film-like character. Built on a fast f/1.4 optical foundation, it maintains the ability to produce shallow depth of field even...
The new Laowa Sword Macro cine lenses cover Full Frame formats, delivering superb optical performance, stunning color rendition, and exceptional macro capabilities. Compact and light weight with each weighing in at under 2.2 lbs (1kg), they are among the lightest...
The Venus 50mm T2.9 from Sirui provides a 1.6x Anamorphic squeeze which renders a classic cinematic 2.40:1 (on 3:2 sensors) or 2.8:1 (on 16:9 sensors) when desqueezed. Designed for mirrorless full frame camera systems, the relatively compact, lightweight design makes...
The Vista-P 65mm T1.5 is a variant of the original Vista Prime design that lowers overall contrast and introduces stronger spherical distortion for a Petzval-type “swirly” bokeh. It maintains large-format coverage (≈46.7mm image circle) and follows the shared mechanical design...
ZEISS Loxia lenses were specifically designed for Sony E mount cameras. This means that they can make the most of the mirrorless, full frame system, while giving you all the creative possibilities of classic photography with manual focus at the...
The Anamophic /i lenses offer superb optical and mechanical performance. Like the S4/i, 5/i and miniS4/i prime lenses, the cam focus mechanism allows for smooth focus adjustments in the Anamorphic /i lenses. Modular construction increases ease of maintenance and serviceability....
A three lens kit featuring the most popular focal lengths - 25mm, 50mm, and 85mm. The Tokina Vista Primes are modern ultra-fast cinema primes featuring a unique optical design that covers all large format cinema camera sensors. Virtually zero focus breathing,...
The Tokina Cinema Vista 65mm T1.5 is a portrait-length prime that offers a natural sense of compression and subject separation without losing connection to the surrounding environment. On full-frame and large-format sensors, the 65mm provides a flattering perspective for close-ups...
The Tokina Cinema Vista 18mm T1.5 is a wide-angle prime designed for full-frame and large-format cinema sensors, delivering an expansive viewpoint without drifting into exaggerated distortion. Covering a 46.7 mm image circle with a fast T1.5 aperture, it offers impressive low-light...
The Mercury 95mm T2.2 lens is a must-have for every filmmaker, providing warm vintage tones, 1.5x anamorphic squeeze ratio with enhanced bokeh, and a dynamic optical geometric personality. It features golden flares from direct light sources, near-zero chromatic aberration, and pleasant...
The Xenon 75mm is an excellent portrait and interview lens with a narrow, isolation filed of view. All of the Xenon FF-Primes feature a maximum aperture of T2.1, utilize a 35mm Full Frame image circle (24x36mm), and are offered in...
The Vista-P 18mm T1.5 is a variant of the original Vista Prime design that lowers overall contrast and emphasizes spherical distortion for a Petzval-type “swirly” bokeh. It maintains large-format coverage (≈46.7mm image circle) with series-standard mechanics: T1.5 maximum aperture with...
The Arles Primes from DZOFilm derive their name from the French town in which Vincent van Gogh garnered inspiration for some of his most influential work. The blistering fast T1.4 maximum aperture and Vista Vision coverage make the Arles 18mm...
The Tokina Cinema Vista ONE series of prime lenses feature high quality optical and mechanical design that focuses on the user experience and image control. A special single coated front element affords these lenses a unique, character-rich image in specific...
The Laowa 9mm Zero-D Cine prime inherits it's design from it's brother, the still 9mm f/2.8 lens. It's compact size make it perfect for run-and-gun, drones, gimbles, and other light-weight applications. It also features Laowa's famous zero distortion (Zero-D) technology. This...
A six lens kit featuring the most popular focal lengths - 18mm, 25mm, 35mm, 50mm, 85mm, and 105mm, all T1.5. The Tokina Vista Primes are modern ultra-fast cinema primes featuring a unique optical design that covers all large format cinema camera sensors....
A five lens kit featuring the most recent, unique focal lengths - 21mm, 29mm, 40mm, 65mm, and 135mm, all T1.5. The Tokina Vista Primes are modern ultra-fast cinema primes featuring a unique optical design that covers all large format cinema camera...
The Venus 135mm T2.9 from Sirui provides a 1.8x Anamorphic squeeze which renders a classic cinematic image when desqueezed. Designed for mirrorless full frame camera systems, the relatively compact, lightweight design makes the Sirui Venus Primes a perfect choice for hand-held...
The Venus 35mm T2.9 from Sirui provides a 1.6x Anamorphic squeeze which renders a classic cinematic 2.40:1 (on 3:2 sensors) or 2.8:1 (on 16:9 sensors) when desqueezed. Designed for mirrorless full frame camera systems, the relatively compact, lightweight design makes...