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PRODUCT
Classic 135mm T3.2
The Sigma Cine Classic 135mm T3.2 is a long telephoto prime built for dramatic subject emphasis and a nostalgic, atmospheric image character. While it is rated at T3.2, the optical design originates from a fast f/1.8 platform, allowing the lens...
PRODUCT
Hugo 90mm T2.1
Building on the popularity of the Leitz M 0.8 series, the Leitz HUGO lenses use the same Leica M optics, but feature a completely new housing design and build quality to match existing Leitz cinematography lenses. These lenses will have...
PRODUCT
40mm T1.9 Master Anamorphic
A range of seven high-performance prime lenses, the ARRI/ZEISS Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras. With beautiful out-of-focus backgrounds and a smooth, cinematic...
PRODUCT
Mercury 36mm T2.2
The Mercury 36mm T2.2 lens is a must-have for every filmmaker, providing warm vintage tones, 1.5x anamorphic squeeze ratio with enhanced bokeh, and a dynamic optical geometric personality. It features golden flares from direct light sources, near-zero chromatic aberration, and pleasant...
PRODUCT
Nanomorph 35mm T2.4
They say good things come in small packages. The Laowa Nanomorphs really pack a punch with their cinematic lens flares, smooth oval bokeh, close focusing distance, and uniform 1.5x squeeze ratio. 2x squeeze is possible with Laowa's Front Anamorphic Adapter. The...
PRODUCT
CP.3 135mm T2.1
The ZEISS CP.3 lenses offer the perfect combination of high image quality and reliable usability. They exhibit the clean, crisp characteristics ZEISS is known for, together with an interchangeable mount system and full-frame coverage. The ZEISS CP.3 XD version features...
PRODUCT
Ranger S35 Zoom 3-Lens Bundle
The Ranger Zoom Super35 3-Lens Bundle includes the 11-18mm T2.9, 17-50mm, and 50-130mm T2.9 zooms in PL mount. These zooms feature a constant T2.9 T-stop, controlled focus breathing, lightweight and compact build, and interchangeable mounts. They come natively in PL...
PRODUCT
Proteus Zoom 45-85mm T2.9
The Proteus Anamorphic zooms feature a 2x squeeze ratio, constant T2.9 aperture, controlled focus breathing, a robust cine-housing, well-controlled distortions, and a crisp sharp image with a pleasing oval bokeh. Currently the most compact option available, these zooms are amazingly...
PRODUCT
Classic 50mm T2.5
The Sigma Cine Classic 50mm T2.5 is a normal prime that blends realistic perspective with a nostalgic, film-inspired rendering. Though the lens is rated at T2.5, its underlying optical design is based on a fast f/1.4 aperture, enabling naturally shallow...
PRODUCT
Ranger S35 17-50mm T2.9
Introducing the Laowa Ranger S35 17-50mm T2.9 Compact Cine Zoom, your versatile solution for Super 35 filmmaking. Engineered for portability and precision, this lightweight lens (1.87 lb, 4.6" long) is ideal for dynamic shoots, seamlessly integrating with gimbals, drones, and...
PRODUCT
Orion 200mm T3.2
Designed by cinematographers for cinematographers, the Atlas Orion Series lenses combine the aesthetic of vintage anamorphic lenses with modern convenience, adaptability, and dependability. The Orion Series feature waterfall bokeh, streak flare, a pleasant spherical aberration glow when wide open, and...
PRODUCT
Panoptes 65 25mm T2.2
The Zeiss Panoptes 65 25mm T2.2 is the widest focal length in the Panoptes lineup, designed to deliver expansive large-format coverage without the exaggerated distortion often associated with ultra-wide cinema lenses. On 65mm-format sensors, the 25mm captures an immense field...
PRODUCT
Mitakon Speedmaster 17mm T1
The Zhong-Yi Mitakon Speedmaster 17mm T1 is an ultra fast prime lens with full manual control, ideal for dreamy, creative cinematography. The Speedmaster 17mm comes in a native Micro 4/3 mount. Distinguished by its impressive T1 (f/0.95) maximum aperture, this...
PRODUCT
Cine-Mod® - Voigtlander Nokton
The Cine-Mod® Voigtlander Nokton lenses features a tailored focus gear and standardized front ring. Includes modifications detailed below as well as professional installation by our skilled lens technicians. Focus Gear: A seamless 32-pitch focus gear, CNC machined from solid black delrin and tailored...
PRODUCT
75mm T1.9 Master Anamorphic
A range of seven high-performance prime lenses, the ARRI/ZEISS Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras. With beautiful out-of-focus backgrounds and a smooth, cinematic...
PRODUCT
Diopter
Carl Zeiss DigiDiopters are the only ZEISS quality diopters for fine 2/3” HD lenses like the ZEISS DigiPrime and DigiZoom family. Available in +0.5, +1 and +2 magnification, ZEISS DigiDiopters are ideal for extreme close ups or wide angle shots.
PRODUCT
Night Walker 3-Lens Kit
Designed to cater to cinematographers and filmmakers on a budget, the Night Walker 3-Lens Kit features three versatile lenses, including 24mm, 35mm, and 55mm focal lengths, each boasting an impressive T1.2 aperture. These lenses are compatible with APS-C and Super35...
PRODUCT
Mitakon Zone 75mm T1
The Mitakon Zone 75mm T1 from ZY Optics is an ultra-fast, short-telephoto cinema prime for full-frame and VistaVision PL/EF cinema systems. Its T1.0 maximum aperture is among the fastest available for large-format cinema, delivering extreme shallow depth of field and...
PRODUCT
7.5mm T2.9 Zero-D Cine
The Laowa 7.5mm T2.9 Zero-D S35 Cine is the widest rectilinear prime lens you can find in the Super35 market, covering a 123° angle of view. It produces high-quality images with “Zero-Distortion” and minimal chromatic aberration which saves filmmakers a...
PRODUCT
40-80mm T4.5 2x FF Sunlight
The Laowa 40-80mm T4.5 2x FF Sunlight is a precision-engineered full-frame anamorphic zoom lens designed to deliver cinematic quality with a pronounced 2x squeeze ratio. This lens produces expansive widescreen imagery with a characteristic 2.39:1 aspect ratio or wider when...
PRODUCT
50-135mm T2.9 MK-R
The Fujinon MK-R 50-135mm T2.9 Cine Zoom Lens is a lightweight cine-style zoom lens for Canon RF mount cameras (choose option below) with sensors Super 35 format or smaller. It features fully manual controls of the zoom focus and iris, each...
PRODUCT
Panoptes 65 90mm T2.2
The Zeiss Panoptes 65 90mm T2.2 delivers short telephoto compression, making it an excellent choice for tight portraits and detailed insert shots. The increased focal length enhances subject isolation and creates a pronounced, creamy background blur that beautifully separates the...
PRODUCT
Supreme Zoom Radiance 70-200mm T2.9
The ZEISS Supreme Zoom Radiance lenses feature the same T* blue lens coating as the Supreme Prime Radiances and match the look with consistent flares and warmer color rendition than standard coated Supreme Primes. When aiming a point light toward...
PRODUCT
Mitakon Zone 50mm T1
The Mitakon Zone 50mm T1 from ZY Optics is an ultra-fast, standard-length cinema prime for full-frame and VistaVision PL/EF cinema systems. Its T1.0 maximum aperture is among the fastest available for large-format cinema, delivering extreme shallow depth of field and...
PRODUCT
Nanomorph Zoom 2-Lens Kit (28-55|50-100)
The Laowa Nanomorph Zooms are a revolutionary compact anamorphic zoom design. Like their Nanomorph Prime cousins, they feature cinematic lens flares, smooth oval bokeh, close focusing distance, and uniform 1.5x squeeze ratio. 2x squeeze is possible with Laowa's Front Anamorphic...
PRODUCT
Hektor 35mm T2.1
The Leitz Hektor Prime 35mm T2.1 captures one of the most versatile focal lengths in cinema, offering a natural perspective that feels equally at home in narrative storytelling, documentary, or commercial work. With a close focus of 0.35m (14") and...
PRODUCT
Nanomorph 65mm T2.4
They say good things come in small packages. The Laowa Nanomorphs really pack a punch with their cinematic lens flares, smooth oval bokeh, close focusing distance, and uniform 1.5x squeeze ratio. 2x squeeze is possible with Laowa's Front Anamorphic Adapter. The...
PRODUCT
Orion 135mm T2.2
Designed by cinematographers for cinematographers, the Atlas Orion Series lenses combine the aesthetic of vintage anamorphic lenses with modern convenience, adaptability, and dependability. The Orion Series feature waterfall bokeh, streak flare, a pleasant spherical aberration glow when wide open, and...
PRODUCT
21mm T1.3 Aizu Prime
Capturing wide-angle scenes with the speed of a T1.3 aperture is no small feat—yet this 21mm lens does so without compromise. Its expansive field of view paired with ultra-fast light-gathering capabilities makes it a standout choice for dynamic environments, handheld...
PRODUCT
20-120mm T3.5 Cabrio XK (w/motor)
Designed for the video production and PL cine markets, this 20-120mm Cabrio features a T stop of T3.5 end-to-end, a 20-120mm focal range, and industry-proven Cabrio flexibility - at an affordable price. It is also equipped with a unique detachable...
PRODUCT
Super35 Cinema Prime 35mm T2.1
The Meike Cinema Primes are bright cine primes suitable for up to high-resolution cine cameras. Top features include low-dispersion glass, a high refractive index, and little to no focus breathing. The fast aperture allows working in difficult lighting conditions and...
PRODUCT
95mm MacroLux +1
The Leitz Cine MacroLux diopters offer cinematographers and lens owners a creative way to get different looks and extend the performance of prime, zoom and anamorphic lenses with 95mm front diameters. The modern lens design of the Leitz Cine MacroLux creates...
PRODUCT
High-Speed 24mm T1.5
The Sigma Cine 24mm T1.5 is a versatile wide-angle prime that provides a natural sense of space while maintaining clean composition and character presence. It offers enough width to establish environment without introducing distortion, making it a go-to focal length...
PRODUCT
Vista 5-Lens Set
A five lens kit featuring the most recent, unique focal lengths - 21mm, 29mm, 40mm, 65mm, and 135mm, all T1.5. The Tokina Vista Primes are modern ultra-fast cinema primes featuring a unique optical design that covers all large format cinema camera...
PRODUCT
Vista 21mm T1.5
The Tokina Cinema Vista 21mm T1.5 is a wide-angle prime that hits a unique sweet-spot focal length—wider than the standard 24 mm zone yet narrower than ultra-wide territory—allowing cinematographers to capture immersive storytelling environments without sacrificing realistic proportions. With a...
PRODUCT
Vista-C 135mm T1.5
The Vista-C 135mm T1.5 uses a redesigned optical formula and updated coatings that bias flares toward red/blue, reduce overall contrast, and create gentler edge falloff compared with the original Vista primes. It maintains large-format coverage (≈46.7mm image circle) with series-standard...
PRODUCT
Argus Cine S35 3-Lens Bundle
The Laowa Argus Cine S35 3-Lens Bundle includes the 18mm, 25mm, and 33mm. The Argus Cine line of lenses share a common ultra-fast T1 maximum aperture for low-lighting performance. They feature dreamy bokeh, minimal focus breathing, and consistent color rendition...
PRODUCT
Panchro/i Classic 75mm T2.2
Looking for the vintage look without the vintage hassle? Cooke Optics has revived their classic Cooke Speed Panchro optics concept and mated it to a modern, reliable mechanical housing for a truly unique style. The new Cooke Panchro/i Classic primes...
PRODUCT
Cine-Mod® - Zeiss OTUS ML
The Cine-Mod® for Zeiss OTUS ML lenses features a tailored focus and iris gear, standaradized 80mm front ring, and a professionally damped aperture movement. Read more for specific modification details. Focus Gear: A seamless 32-pitch focus gear CNC machined from...
PRODUCT
Vista-C 25mm T1.5
The Vista-C 25mm T1.5 uses a revised optical design and updated coatings that bias flares toward red/blue, lower overall contrast, and produce gentler falloff than the original Vista primes. It maintains large-format coverage (≈46.7 mm image circle; coverage up to 65 mm...
PRODUCT
50mm T1.9 Master Anamorphic
A range of seven high-performance prime lenses, the ARRI/ZEISS Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras. For the first time, a perfect combination of...
PRODUCT
Vista 50mm T1.5
The Tokina Cinema Vista series of prime lenses feature high quality optical and mechanical design that focuses on the user experience and image control. The Cinema Vista primes exhibit an image circle that exceeds that of 35mm Full Frame making...
PRODUCT
EZ Premium Lens Kit
The full package... This kit includes the Angenieux EZ-1 and the EZ-2 with the Super 35 and Vista Vision/Full Frame IRO accessories that allows the user to swap between formats at will. Swapping between the included rear groups provides the...
PRODUCT
Hugo 28mm T1.5
Building on the popularity of the Leitz M 0.8 series, the Leitz HUGO lenses use the same Leica M optics, but feature a completely new housing design and build quality to match existing Leitz cinematography lenses. These lenses will have...
PRODUCT
Ranger FF Lite Zoom 2-Lens Bundle
The Ranger Lite Zoom FF 2-Lens Bundle includes two zooms, the 28-75mm T2.9 and the 75-180mm T2.9 in PL mount. These zooms feature a constant T2.9 T-stop, controlled focus breathing, lightweight and compact build, and interchangeable mounts. With their durable...
PRODUCT
100mm T2.9 Macro
The Tokina Cinema AT-X 100mm T2.9 macro is a true 35mm, full-frame, 1:1 macro close-up lens. Sporting a new look and design, the lens achieves maximum magnification at a working distance of 11.8 inches (0.3 meters). This allows enough space...
PRODUCT
Vista-P 21mm T1.5
The Vista-P 21mm T1.5 is a variant of the original Vista Prime design that lowers overall contrast and introduces more pronounced spherical distortion for a Petzval-type “swirly” bokeh. It maintains large-format coverage (≈46.7mm image circle) with series-standard mechanics: T1.5 maximum...
PRODUCT
High-Speed 65mm T1.5
The Sigma Cine 65mm T1.5 is a mid-telephoto prime that offers a refined balance between intimacy and spatial context, making it a standout choice for close-ups, interviews, and character-driven cinematography. On full-frame cinema sensors, the 65mm provides gentle compression that...