The Saturn Carbon Fiber primes from Sirui provides a 1.6x Anamorphic squeeze which renders a classic cinematic 2.40:1 (on 3:2 sensors) or 2.8:1 (on 16:9 sensors) when desqueezed. Designed for mirrorless full frame camera systems, the compact, lightweight design makes the Sirui...
The Sigma Cine 40mm T1.5 is a uniquely versatile mid-range prime that offers a natural perspective with a touch more intimacy than a 35mm, making it ideal for character-driven narrative work, interviews, and commercial cinematography. On full-frame cinema sensors, the...
The Dulens APO Cambrian Prime 40mm T2.0 provides expansive medium format coverage for large sensors such as the ARRI Alexa 65 and Fujifilm GFX Eterna, acting as a versatile wide angle prime within the set. On these massive sensor formats,...
The Tokina Cinema Vista ONE series of prime lenses feature high quality optical and mechanical design that focuses on the user experience and image control. A special single coated front element affords these lenses a unique, character-rich image in specific...
The Dulens APO Cambrian Prime 24mm T2.0 is a specialized wide angle lens designed for expansive medium format coverage, supporting large sensors like the ARRI Alexa 65 and Fujifilm GFX Eterna. This focal length excels in capturing immersive landscapes and...
The Zhong-Yi Mitakon Speedmaster T1 Micro 4/3 Kit includes three ultra fast prime lenses with full manual control, ideal for dreamy, creative cinematography. The Speedmaster T1 Kit lenses come in a native Micro 4/3 mount. Distinguished by their impressive T1...
The DZOFILM Arcana 32mm T2.1 is a high performance wide angle prime designed to deliver a classic anamorphic aesthetic to full frame sensors. Featuring a specialized optical construction with three extra low dispersion elements, this lens achieves exceptional resolving power...
Capture sharp and precise images with the NiSi Athena Prime 135mm T2.2 Full-Frame Lens. It features 10 aperture blades, T2.2-T22 aperture range, an 80mm front diameter and 0.8 MOD focus and aperture gears. The 300° focus rotation and precise markings...
The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors, at least the full sensor area of the RED Weapon 8K (46.31mm image circle). Shoot 35mm / Super 35mm formats, full...
Irix's first mid-range focal length lens with a field of view 51,4° is perfect for shooting with Large Format cinema cameras. The Irix 45mm T1.5 is based on a completely new optical design which includes four elements made of high...
The Mercury 72mm T2.2 lens is a must-have for every filmmaker, providing warm vintage tones, 1.5x anamorphic squeeze ratio with enhanced bokeh, and a dynamic optical geometric personality. It features golden flares from direct light sources, near-zero chromatic aberration, and pleasant...
The NiSi Athena Rewind Prime Full Frame Cinema Lens Kit builds on the original Athena platform with a more character-driven, vintage-inspired look. Designed to deliver two distinct rendering styles, the Rewind lenses appear softer with lower contrast, stronger flare, and...
The Zhong-Yi Mitakon Speedmaster 25mm T1 is an ultra fast prime lens with full manual control, ideal for dreamy, creative cinematography. The Speedmaster 25mm comes in a native Micro 4/3 mount. Distinguished by its impressive T1 (f/0.95) maximum aperture, this...
Developed for full frame/VistaVision formats, the set of Leitz Primes ranges from 18mm to 180mm and features a T1.8 aperture.
The Zhong-Yi Mitakon Speedmaster 50mm T1 is an ultra fast prime lens with full manual control, ideal for dreamy, creative cinematography. The Speedmaster 50mm comes in a native Canon EF or Arri PL mount. In addition to it's superb speed,...
The Vespid Cyber primes from DZOFilm have much of the same characteristics of the original Vespid primes. They feature the new DZOFilm Data Interface technology to transfer focus and iris data to the DJI RS3 PRO and other third-party systems. They derive...
The Saturn Carbon Fiber 75mm T2.9 from Sirui provides a 1.6x Anamorphic squeeze which renders a classic cinematic 2.40:1 (on 3:2 sensors) or 2.8:1 (on 16:9 sensors) when desqueezed. Designed for mirrorless full frame camera systems, the compact, lightweight design...
Developed for full frame/VistaVision formats, the set of Leitz Primes ranges from 18mm to 180mm and features a T1.8 aperture.
The Rokinon Cine DS 6-Lens Set consists of six prime lenses including a 14, 24, 35, 50, 85, and 135mm. The included Rokinon Cine DS lenses cover full-frame and work with any Canon EF mount cameras. The Cine DS line features cinema friendly features such as integrated 32-pich...
Developed for full frame/VistaVision formats, the set of Leitz Primes ranges from 18mm to 180mm and features a T1.8 aperture.
The Otus ML Prime 35mm f/1.4 offers unmatched optical excellence with its apochromatic lens design that minimizes distortion and chromatic aberration. Experience the distinctive ZEISS Look with true colors, sharpness, and micro-contrast, even at f/1.4. With T* coating, enjoy optimal...
The Saturn Carbon Fiber 50mm T2.9 from Sirui provides a 1.6x Anamorphic squeeze which renders a classic cinematic 2.40:1 (on 3:2 sensors) or 2.8:1 (on 16:9 sensors) when desqueezed. Designed for mirrorless full frame camera systems, the compact, lightweight design...
Designed to cater to cinematographers and filmmakers on a budget, the Night Walker series features five versatile lenses, including 16mm, 24mm, 35mm, 55mm, and 75mm focal lengths, each boasting an impressive T1.2 aperture. These lenses are compatible with APS-C and...
The Sigma Cine 35mm T1.5 is a foundational prime that delivers a natural, human-centered perspective well-suited for narrative storytelling, interviews, commercial work, and documentary cinematography. On full-frame cinema sensors, the 35mm provides enough width to include context while maintaining an...
Designed to cater to cinematographers and filmmakers on a budget, the Night Walker series features five versatile lenses, including 16mm, 24mm, 35mm, 55mm, and 75mm focal lengths, each boasting an impressive T1.2 aperture. These lenses are compatible with APS-C and...
The Anamophic /i lenses offer superb optical and mechanical performance. Like the S4/i, 5/i and miniS4/i prime lenses, the cam focus mechanism allows for smooth focus adjustments in the Anamorphic /i lenses. Modular construction increases ease of maintenance and serviceability....
The Mercury Series from Atlas reimagines what an anamorphic lens can be—compact, full-frame, and expressive, without sacrificing professional performance. The 24mm delivers a distinctly cinematic image with signature 1.5x squeeze characteristics, including vintage-style oval bokeh, sun-kissed golden flares, and gentle...
The Venus 100mm T2.9 from Sirui provides a 1.6x Anamorphic squeeze which renders a classic cinematic 2.40:1 (on 3:2 sensors) or 2.8:1 (on 16:9 sensors) when desqueezed. Designed for mirrorless full frame camera systems, the relatively compact, lightweight design makes...
The Tokina Cinema Vista ONE series of prime lenses feature high quality optical and mechanical design that focuses on the user experience and image control. A special single coated front element affords these lenses a unique, character-rich image in specific...
Looking for the vintage look without the vintage hassle? Cooke Optics has revived their classic Cooke Speed Panchro optics concept and mated it to a modern, reliable mechanical housing for a truly unique style. The new Cooke Panchro/i Classic primes...
The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors, at least the full sensor area of the RED Weapon 8K (46.31mm image circle). Shoot 35mm / Super 35mm formats, full...
The Sigma Cine Classic 28mm T2.5 offers a balanced mid-wide perspective with a nostalgic, cinematic visual signature that feels intimate yet spacious. Although the lens is rated at T2.5, its optical design is based on a fast f/1.4 aperture, which...
The Otus ML Prime 50mm f/1.4 offers unmatched optical excellence with its apochromatic lens design that minimizes distortion and chromatic aberration. Experience the distinctive ZEISS Look with true colors, sharpness, and micro-contrast, even at f/1.4. With T* coating, enjoy optimal...
The Proteus Anamorphic primes feature a 2x squeeze ratio, Consistent T2.0 T-stop, controlled focus breathing, a robust cine-housing, and a crisp sharp image with a pleasing oval bokeh. They come natively in PL mount with an EF mount kit included....
The Proteus Anamorphic primes feature a 2x squeeze ratio, Consistent T2.0 T-stop, controlled focus breathing, a robust cine-housing, and a crisp sharp image with a pleasing oval bokeh. They come natively in PL mount with an EF mount kit included....
The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors, at least the full sensor area of the RED Weapon 8K (46.31mm image circle). Shoot 35mm / Super 35mm formats, full...
The Proteus Anamorphic primes feature a 2x squeeze ratio, Consistent T2.0 T-stop, controlled focus breathing, a robust cine-housing, and a crisp sharp image with a pleasing oval bokeh. They come natively in PL mount with an EF mount kit included....
The Sigma Cine 28mm T1.5 is a versatile mid-wide prime that offers a balanced perspective—wide enough to include environment and spatial context, yet natural enough to keep subjects grounded and proportionally accurate. This focal length is particularly well-suited for narrative...
The Sigma Cine 20mm T1.5 is a wide-angle prime that offers a strong sense of space while maintaining natural proportions, making it an excellent choice for interiors, ensemble blocking, gimbal/steadicam work, and narrative scenes that benefit from environmental context. The...
Originally introduced in the 1930s, the Biotar 75 f1.5 quickly gained legendary status among photographers for its unique rendering and high speed. Today’s updated version brings back everything that made the original special—namely, crisp central sharpness paired with dramatic, swirling...
Developed for full frame/VistaVision formats, the set of Leitz Primes ranges from 18mm to 180mm and features a T1.8 aperture.
Looking for the vintage look without the vintage hassle? Cooke Optics has revived their classic Cooke Speed Panchro optics concept and mated it to a modern, reliable mechanical housing for a truly unique style. The new Cooke Panchro/i Classic primes...
Looking for the vintage look without the vintage hassle? Cooke Optics has revived their classic Cooke Speed Panchro optics concept and mated it to a modern, reliable mechanical housing for a truly unique style. The new Cooke Panchro/i Classic primes...
Looking for the vintage look without the vintage hassle? Cooke Optics has revived their classic Cooke Speed Panchro optics concept and mated it to a modern, reliable mechanical housing for a truly unique style. The new Cooke Panchro/i Classic primes...
The Venus 150mm T2.9 from Sirui provides a 1.6x Anamorphic squeeze which renders a classic cinematic image when desqueezed. Designed for mirrorless full frame camera systems, the relatively compact, lightweight design makes the Sirui Venus Primes a perfect choice for hand-held...
The Sigma Cine Classic 24mm T2.5 is a wide-angle prime built for full-frame cinema sensors, delivering a natural sense of space with a nostalgic, film-inspired image character. Though its transmission rating is T2.5, the optics originate from a fast f/1.4...
The Laowa Aurogon FF 10-50X NA0.5 Supermicro APO covers full-frame sensors and is designed to mount directly to a wide range of still and cinema cameras. It features interchangeable magnification tubes, offering 10X, 20X, 35X, and 50X magnification options. The adjustable numerical aperture (NA) of this microscope lens...
The Primoplan 58 f1.9 II revives one of the most distinctive vintage lens designs of the 20th century, reimagined for modern digital workflows. Originally developed over 80 years ago by Meyer-Optik’s Paul Schäfter, the lens is best known for its...