The new Laowa Nanomorph LF primes feature the same characteristics as their Super35 siblings with their cinematic lens flares, smooth oval bokeh, close focusing distance, and uniform 1.5x squeeze ratio. 2x squeeze is possible with Laowa's Front Anamorphic Adapter. The lenses are...
The Canon CN-E 135mm T2.2 L F Cinema Prime Lens is a powerful telephoto focal length, ideal for isolating subjects and creating dramatic shallow depth-of-field effects on both Full Frame and Super 35 sensor formats. This high-speed optic features a...
The Argus Cine line of lenses share a common ultra-fast T1 maximum aperture for low-lighting performance. They feature dreamy bokeh, minimal focus breathing, and consistent color rendition and lens performance across the series. Available in Sony E, Canon RF, and...
The Sigma Cine 35mm T1.5 is a foundational prime that delivers a natural, human-centered perspective well-suited for narrative storytelling, interviews, commercial work, and documentary cinematography. On full-frame cinema sensors, the 35mm provides enough width to include context while maintaining an...
The Sigma Cine 50mm T1.5 is a classic normal prime that delivers a balanced, natural perspective ideal for dialogue scenes, close-ups, interviews, and narrative storytelling. On full-frame cinema sensors, the 50mm provides a familiar field of view that feels authentic...
The NiSi Athena Rewind Prime Full Frame Cinema Lens Kit builds on the original Athena platform with a more character-driven, vintage-inspired look. Designed to deliver two distinct rendering styles, the Rewind lenses appear softer with lower contrast, stronger flare, and...
The Argus Cine line of lenses share a common ultra-fast T1 maximum aperture for low-lighting performance. They feature dreamy bokeh, minimal focus breathing, and consistent color rendition and lens performance across the series. Available in Sony E, Canon RF, Fuji...
The ZEISS CP.3 lenses offer the perfect combination of high image quality and reliable usability. They exhibit the clean, crisp characteristics ZEISS is known for, together with an interchangeable mount system and full-frame coverage.The ZEISS CP.3 XD version features innovative...
A range of seven high-performance prime lenses, the ARRI/ZEISS Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras. With beautiful out-of-focus backgrounds and a smooth, cinematic...
The Vista-P 135mm T1.5 is a variant of the original Vista Prime design that lowers overall contrast and introduces stronger spherical distortion, resulting in a Petzval-type “swirly” bokeh. It maintains large-format coverage (≈46.7mm image circle) with the standard mechanical characteristics...
The Laowa Probe Zoom system is a modular set of full-frame cine lenses designed for highly specialized close-up and macro cinematography. Available in a range of bundle configurations, the system includes two parfocal zooms—15-24mm T8 and 15-35mm T12—with up to...
Named after the humanitarian daughter of Ernst Leitz II (Elsie Kühn-Leitz), the Leitz ELSIE lenses are designed for full frame performance with a consistency in size and speed to serve a broad range of productions. The 13 lens set ranges from 15mm...
The Argus Cine line of lenses share a common ultra-fast T1 maximum aperture for low-lighting performance. They feature dreamy bokeh, minimal focus breathing, and consistent color rendition and lens performance across the series. Available in Sony E, Canon RF, Fuji...
The Leitz Cine MacroLux diopters offer cinematographers and lens owners a creative way to get different looks and extend the performance of prime, zoom and anamorphic lenses with 114mm front diameters. The modern lens design of the Leitz Cine MacroLux creates...
The Vista-P 85mm T1.5 is a variant of the original Vista Prime design that lowers overall contrast and introduces more pronounced spherical distortion, producing a Petzval-type “swirly” bokeh. It maintains large-format coverage (≈46.7mm image circle) with the standard mechanical characteristics...
Designed and manufactured by Duclos Lenses, our Distortion Chart 2.40:1 is a simple tool for cinematographers and VFX specialists to collaborate with. It's an indispensable tool used by professionals and rental houses around the world. Fully functional for observing and...
The CINE-SERVO 17-120mm T2.95 PL is the original Cine-Servo lens from Canon. Designed to perform in a shoulder-mounted application or as a traditional cinema lens, the Canon CINE-SERVO 17-120mm T2.95 zoom lens has an ENG-style Digital Drive handgrip with zoom...
Building on the popularity of the Leitz M 0.8 series, the Leitz HUGO lenses use the same Leica M optics, but feature a completely new housing design and build quality to match existing Leitz cinematography lenses. These lenses will have...
The Zeiss Panoptes 65 55mm T2.2 offers a slightly compressed standard perspective, ideal for medium shots and intimate character framing. On a 65mm sensor, this focal length provides a pleasing separation between subject and background, rendering beautiful bokeh while maintaining...
The 95mm Front Ring standardizes lens compatibility across your kit. This step-up ring accepts rear threads from 58mm to 86mm lenses, unifying them to a common 86mm front filter thread and 95mm outer diameter. This standardization enables seamless integration with...
The Vista-P 65mm T1.5 is a variant of the original Vista Prime design that lowers overall contrast and introduces stronger spherical distortion for a Petzval-type “swirly” bokeh. It maintains large-format coverage (≈46.7mm image circle) and follows the shared mechanical design...
The Vista-C 35mm T1.5 uses a redesigned optical formula and updated coatings that bias flares toward red/blue, reduce overall contrast, and create gentler edge falloff relative to the original Vista primes. It maintains large-format coverage (≈46.7mm image circle) with series-standard...
The ZEISS CP.3 lenses offer the perfect combination of high image quality and reliable usability. They exhibit the clean, crisp characteristics ZEISS is known for, together with an interchangeable mount system and full-frame coverage. The ZEISS CP.3 XD version features...
Our latest spherical focus chart is a meticulous collaboration between Duclos Lenses and cinematographers. It's an indispensable tool used by professionals across the industry. Fully functional for checking focus accuracy of spherical primes and zooms. Printed in-house onto ultra-bright matte...
The Otus ML Prime 35mm f/1.4 offers unmatched optical excellence with its apochromatic lens design that minimizes distortion and chromatic aberration. Experience the distinctive ZEISS Look with true colors, sharpness, and micro-contrast, even at f/1.4. With T* coating, enjoy optimal...
The Tokina Cinema 25-75mm T2.9 delivers a highly versatile zoom range in a compact package designed for Super 35 format cameras. Tokina engineers have created a lens that is Parfocal, has dramatically reduced breathing and image shift, and a de-clicked,...
The Argus Cine line of lenses share a common ultra-fast T1 maximum aperture for low-lighting performance. They feature dreamy bokeh, minimal focus breathing, and consistent color rendition and lens performance across the series. Available in Sony E, Canon RF, and...
The NiSi Athena Rewind Prime Full Frame Cinema Lens Kit builds on the original Athena platform with a more character-driven, vintage-inspired look. Designed to deliver two distinct rendering styles, the Rewind lenses appear softer with lower contrast, stronger flare, and...
The new CINE-SERVO 17-120mm T2.95 features a native RF Mount and an enhanced PL mount option with a new removeable Servo Drive Unit. Designed to perform in a shoulder-mounted application or as a traditional cinema lens, the Canon CINE-SERVO 17-120mm...
The NiSi Athena Rewind Prime Full Frame Cinema Lens Kit builds on the original Athena platform with a more character-driven, vintage-inspired look. Designed to deliver two distinct rendering styles, the Rewind lenses appear softer with lower contrast, stronger flare, and...
The Leica Thalia prime lenses offer a unique cinematic look and feel throughout the range of primes; 24, 30, 35, 45, 55, 70, 100, 120 and 180mm. They feature an image circle of 60mm +. The lenses are incredibly lightweight...
The highly distinguished result of superb engineering and manufacturing techniques, Leitz offers the Summilux-C prime lenses with a wide range of matched focal lengths from 16mm to 135mm, all with a consistent maximum aperture of T1.4. With features such as...
The sequel to the famed 11-16mm, the 11-20mm Tokina Cinema ATX zoom lens features a new optical design that, believe it or not, improves on the older 11-16mm. With stunning image quality even at an ultra wide field of view,...
The Leitz ELSIE lenses are designed for full frame performance with a consistency in size and speed to serve a broad range of productions. The 13 lens set ranges from 15mm to 150mm, all at T2.1. The ELSIE lenses are available...
Named after the humanitarian daughter of Ernst Leitz II (Elsie Kühn-Leitz), the Leitz ELSIE lenses are designed for full frame performance with a consistency in size and speed to serve a broad range of productions. The 13 lens set ranges from 15mm...
Named after the humanitarian daughter of Ernst Leitz II (Elsie Kühn-Leitz), the Leitz ELSIE lenses are designed for full frame performance with a consistency in size and speed to serve a broad range of productions. The 13 lens set ranges from 15mm...
Designed and manufactured by Duclos Lenses, the Camera Registration Chart measures 24" x 18" and is used for testing motion picture film camera registration accuracy. A pair of prominent focus aids allow for quick, easy focus acquisition. Frame guides for...
The EF Cinema Zoom lens 30-300mm T2.95-3.7 provides a 10x zoom range for the Super 35mm format. Intended for the working professional, this lens is designed to fulfill contemporary 4K production standards. It features advanced optical design with fluorite and...
The Sigma Cine Classic 28mm T2.5 offers a balanced mid-wide perspective with a nostalgic, cinematic visual signature that feels intimate yet spacious. Although the lens is rated at T2.5, its optical design is based on a fast f/1.4 aperture, which...
Named after the humanitarian daughter of Ernst Leitz II (Elsie Kühn-Leitz), the Leitz ELSIE lenses are designed for full frame performance with a consistency in size and speed to serve a broad range of productions. The 13 lens set ranges from 15mm...
With its 35mm focal length and signature soap bubble bokeh, the Trioplan 35 f2.8 II blends the realism of a wide-angle perspective with the expressive character of a vintage optical design. Ideal for storytelling, documentary work, or travel photography, this...
The Sigma Cine Classic 40mm T2.5 provides a naturally intimate perspective with a nostalgic visual signature that gently enhances mood and atmosphere. Built on a fast f/1.4 optical design, it maintains the ability to produce shallow depth of field and...
Developed for full frame/VistaVision formats, the set of Leitz Primes ranges from 18mm to 180mm and features a T1.8 aperture.
The 100mm Aizu Prime brings a subtle telephoto look that’s ideal for close-ups, portraits, and isolating subjects with graceful compression. Its longer focal length, combined with the ultra-fast T1.3 aperture, delivers a rich, cinematic depth of field—perfect for capturing emotional...
The Distagon T*1.4/35 is a medium wide-angle lens, ideal to capture any scene in all its natural brilliance – with nothing escaping its gaze, even in low-light situations. Its compact design and the short, precise angle of focus rotation make...
Sigma 50mm T1.3 Aizu Prime The 50mm Aizu Prime delivers a timeless, neutral perspective that has anchored cinematography for decades. Neither wide nor telephoto, it offers a natural sense of scale and subject separation—now enhanced by a remarkably fast T1.3...
The Zeiss CP.2 lenses share a common heritage with the Zeiss ZF.2 lenses. Designed to function on a motion picture set featuring larger more robust housings with consistent focus and iris gear positions. The Zeiss CP.2 lenses are the perfect...
The ARRI Ultra Wide Zoom UWZ 9.5-18/T2.9 is the first super wide-angle zoom lens for the professional cine market. The optical performance of this telecentric design is comparable to, or even exceeds, that of high-end wide-angle prime lenses. For maximum...