The Dulens APO Cambrian Prime 77mm T2.0 provides expansive medium format coverage for large sensors such as the ARRI Alexa 65 and Fujifilm GFX Eterna, functioning as the standard focal length for the series. On these massive sensor formats, the...
A truly inspired design, the Cooke S8/i FF Primes are smaller, lighter, and smarter than their predecessors. Featuring a purely spherical optical design and Cooke's world-class mechanical design as well as state-of-the-art lens metadata, the Cooke S8/i FF Primes are...
The Sigma Cine 65mm T1.5 is a mid-telephoto prime that offers a refined balance between intimacy and spatial context, making it a standout choice for close-ups, interviews, and character-driven cinematography. On full-frame cinema sensors, the 65mm provides gentle compression that...
The Vespid primes from DZOFilm derive their name from the agile wasp. Their light weight is impressive considering the Full Frame coverage they provide for a wide range of Vista Vision and Large Format sensors. Fully manual operation with integrated 32-pitch...
The Vespid primes from DZOFilm derive their name from the agile wasp. Their light weight is impressive considering the Full Frame coverage they provide for a wide range of Vista Vision and Large Format sensors. Fully manual operation with integrated 32-pitch...
The Pavo Primes from DZOFilm offer uniquely cinematic image quality thanks to their anamorphic 2x squeeze ratio and purposeful, gentle character. Designed for Super 35 format cameras, the Pavo 100mm features a fast T2.4 aperture as well as consistent focus...
The Xenon 50mm offers a versatile field of view, perfect for Super 35 and Full Frame sensors alike. All of the Xenon FF-Primes feature a maximum aperture of T2.1, utilize a 35mm Full Frame image circle (24x36mm), and are offered...
Achieve high-quality macro shots with the Gnosis 24mm T2.8 from DZOFilm. With a true 0.8:1 magnification and a wide 24mm focal length, you'll be able to achieve unique super close shots. The Gnosis Primes ship in Arri LPL mount and include...
The Aureus Prime T1.4 lenses are designed to meet the needs of modern cinematographers seeking full-frame coverage and a fast, consistent aperture. With a 46mm image circle, they are compatible with large-format sensors, delivering a natural depth of field and...
The Dulens APO Cambrian Prime 40mm T2.0 provides expansive medium format coverage for large sensors such as the ARRI Alexa 65 and Fujifilm GFX Eterna, acting as a versatile standard prime within the set. This focal length offers a highly...
The NiSi Athena Rewind Prime Full Frame Cinema Lens Kit builds on the original Athena platform with a more character-driven, vintage-inspired look. Designed to deliver two distinct rendering styles, the Rewind lenses appear softer with lower contrast, stronger flare, and...
ZEISS Loxia lenses were specifically designed for Sony E mount cameras. This means that they can make the most of the mirrorless, full frame system, while giving you all the creative possibilities of classic photography with manual focus at the...
The Argus Cine line of lenses share a common ultra-fast T1 maximum aperture for low-lighting performance. They feature dreamy bokeh, minimal focus breathing, and consistent color rendition and lens performance across the series. Available in Sony E, Canon RF, and...
Achieve high-quality macro shots with the Gnosis 32mm T2.8 from DZOFilm. With a true 1:1 magnification and a wide 32mm focal length, you'll be able to achieve unique super close shots. The Gnosis Primes ship in Arri LPL mount and include...
The Pavo Primes from DZOFilm offer uniquely cinematic image quality thanks to their anamorphic 2x squeeze ratio and purposeful, gentle character. Designed for Super 35 format cameras, the Pavo 65mm Macro features a fast T2.8 aperture as well as consistent...
Achieve high-quality macro shots with the Gnosis 90mm T2.8 from DZOFilm. With a true 1.5:1 magnification and a mid-long 90mm focal length, you'll be able to achieve unique super close shots. The Gnosis Primes ship in Arri LPL mount and...
The Tokina Cinema Vista ONE series of prime lenses feature high quality optical and mechanical design that focuses on the user experience and image control. A special single coated front element affords these lenses a unique, character-rich image in specific...
The Sigma Cine 14mm T2 is an ultra-wide prime designed for full-frame cinema sensors, delivering a broad, immersive field of view with controlled distortion and clean edge-to-edge performance. With its fast T2 aperture, it supports low-light shooting and offers subtle...
The Sigma Cine 85mm T1.5 is a portrait-oriented prime designed to deliver elegant subject isolation and a flattering sense of compression. On full-frame cinema sensors, the 85mm provides a cinematic close-up perspective that highlights emotion and detail while maintaining a...
The NiSi Athena Rewind Prime Full Frame Cinema Lens Kit builds on the original Athena platform with a more character-driven, vintage-inspired look. Designed to deliver two distinct rendering styles, the Rewind lenses appear softer with lower contrast, stronger flare, and...
The Sigma Cine 105mm T1.5 is a telephoto portrait prime that delivers strong subject separation and a refined, cinematic compression of space. On full-frame cinema sensors, the 105mm provides an intimate, emotionally focused perspective that’s well-suited for close-ups, narrative coverage,...
The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors, at least the full sensor area of the RED Weapon 8K (46.31mm image circle). Shoot 35mm / Super 35mm formats, full...
The NiSi Athena Rewind Prime Full Frame Cinema Lens Kit builds on the original Athena platform with a more character-driven, vintage-inspired look. Designed to deliver two distinct rendering styles, the Rewind lenses appear softer with lower contrast, stronger flare, and...
The Vespid Cyber primes from DZOFilm have much of the same characteristics of the original Vespid primes. They feature the new DZOFilm Data Interface technology to transfer focus and iris data to the DJI RS3 PRO and other third-party systems.They derive their...
Achieve finely detailed shots with the NiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens. Thanks to its 10 aperture blades and 0.8 MOD focus and aperture gears, you can capture crisp and clear images with minimal distortion. This full-frame lens also...
The Laowa 6mm T2.1 Zero-D MFT Cine is the widest rectilinear prime lens you can find in the Micro 4/3 market, covering a 121.9° angle of view. It produces high-quality images with “Zero-Distortion”. Compact and convenient.
The Dulens APO Cambrian Prime 77mm T2.0 provides expansive medium format coverage for large sensors such as the ARRI Alexa 65 and Fujifilm GFX Eterna, functioning as the standard focal length for the series. On these massive sensor formats, the...
The Sigma Cine Classic 14mm T3.2 is an ultra-wide prime designed for full-frame cinema sensors, offering a sweeping field of view with a distinctively nostalgic visual character. While its transmission rating is T3.2, the optical design is still based on...
The Zhong-Yi Mitakon Speedmaster 17mm T1 is an ultra fast prime lens with full manual control, ideal for dreamy, creative cinematography. The Speedmaster 17mm comes in a native Micro 4/3 mount. Distinguished by its impressive T1 (f/0.95) maximum aperture, this...
The Sigma Cine Classic 20mm T2.5 is a wide-angle prime designed for full-frame cinema sensors, offering a spacious field of view with a warm, nostalgic visual signature. While the measured transmission is T2.5, the optical design is based on a...
The Vespid Cyber primes from DZOFilm have much of the same characteristics of the original Vespid primes. They feature the new DZOFilm Data Interface technology to transfer focus and iris data to the DJI RS3 PRO and other third-party systems.They derive their...
The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors, at least the full sensor area of the RED Weapon 8K (46.31mm image circle). Shoot 35mm / Super 35mm formats, full...
Developed for full frame/VistaVision formats, the set of Leitz Primes ranges from 18mm to 180mm and features a T1.8 aperture.
The Pavo Primes from DZOFilm offer uniquely cinematic image quality thanks to their anamorphic 2x squeeze ratio and purposeful, gentle character. Designed for Super 35 format cameras, the Pavo 135mm features a fast T2.5 aperture as well as consistent focus...
Achieve finely detailed shots with the NiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens. Thanks to its 10 aperture blades and 0.8 MOD focus and aperture gears, you can capture crisp and clear images with minimal distortion. This full-frame lens also...
Achieve high-quality macro shots with the Gnosis Macro primes from DZOFilm. They ship in Arri LPL mount and include a swappable PL and EF mount in the custom foamed travel case. (Mount swap available upon request at no additional charge) There...
The Sigma Cine 24mm T1.5 is a versatile wide-angle prime that provides a natural sense of space while maintaining clean composition and character presence. It offers enough width to establish environment without introducing distortion, making it a go-to focal length...
The Anamophic /i lenses offer superb optical and mechanical performance. Distortion, veiling glare, flares, and all aberrations are controlled at all apertures over the whole field of view. Like the S4/i, 5/i and miniS4/i prime lenses, the cam focus mechanism allows...
The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors, at least the full sensor area of the RED Weapon 8K (46.31mm image circle). Shoot 35mm / Super 35mm formats, full...
The Arles Primes from DZOFilm derive their name from the French town in which Vincent van Gogh garnered inspiration for some of his most influential work. The blistering fast T1.4 maximum aperture and Vista Vision coverage make the Arles 50mm...
Looking for the vintage look without the vintage hassle? Cooke Optics has revived their classic Cooke Speed Panchro optics concept and mated it to a modern, reliable mechanical housing for a truly unique style. The new Cooke Panchro/i Classic primes...
The NiSi Athena Rewind Prime Full Frame Cinema Lens Kit builds on the original Athena platform with a more character-driven, vintage-inspired look. Designed to deliver two distinct rendering styles, the Rewind lenses appear softer with lower contrast, stronger flare, and...
The Laowa 10mm T2.9 Zero-D VV Cine (PL Mount) is the widest rectilinear lens available for full-frame and VistaVision cinema cameras, offering an immersive 130.3° angle of view with virtually zero distortion. Designed for professional cinematographers, this ultra-wide prime delivers...
The Sigma Cine 50mm T1.5 is a classic normal prime that delivers a balanced, natural perspective ideal for dialogue scenes, close-ups, interviews, and narrative storytelling. On full-frame cinema sensors, the 50mm provides a familiar field of view that feels authentic...
The Saturn Carbon Fiber 35mm T2.9 from Sirui provides a 1.6x Anamorphic squeeze which renders a classic cinematic 2.40:1 (on 3:2 sensors) or 2.8:1 (on 16:9 sensors) when desqueezed. Designed for mirrorless full frame camera systems, the compact, lightweight design...
Developed for full frame/VistaVision formats, the set of Leitz Primes ranges from 18mm to 180mm and features a T1.8 aperture.
The Tokina Cinema Vista ONE series of prime lenses feature high quality optical and mechanical design that focuses on the user experience and image control. A special single coated front element affords these lenses a unique, character-rich image in specific...
The NiSi Athena Rewind Prime Full Frame Cinema Lens Kit builds on the original Athena platform with a more character-driven, vintage-inspired look. Designed to deliver two distinct rendering styles, the Rewind lenses appear softer with lower contrast, stronger flare, and...