Looking for the vintage look without the vintage hassle? Cooke Optics has revived their classic Cooke Speed Panchro optics concept and mated it to a modern, reliable mechanical housing for a truly unique style. The new Cooke Panchro/i Classic primes...
The ARRI/FUJINON Alura Zooms combine the highest optical performance with an amazingly small size, weight and price. They are available as Studio zooms for use on a tripod or crane with a wider focal range, or as lightweight zooms which...
The Zeiss Nano Prime 24mm T1.5 is a high-speed, full-frame cinema lens. Available in a native Sony E mount (more mounts to come soon). The close focus of the 24mm Nano Prime combined with the high-speed T1.5 aperture provide ultra shallow depth...
The Meike Cinema Primes are bright cine primes suitable for up to high-resolution cine cameras. Top features include low-dispersion glass, a high refractive index, and little to no focus breathing. The fast aperture allows working in difficult lighting conditions and...
Since its initial publication in 1973, Cinematography has become the guidebook for filmmakers. Based on their combined fifty years in the film and television industry, authors Kris Malkiewicz and M. David Mullen lay clear and concise groundwork for basic film techniques, focusing...
The Athena Prime 8-Lens Set from NiSi includes a 14mm T2.4, 18mm T2.2, 25mm, 35mm, 40mm, 50mm, 85mm, and 135mm T2.2 with the 25mm through 85mm range at a fast T1.9. All eight lenses feature the same 80mm front diameter...
The Proteus Anamorphic primes feature a 2x squeeze ratio, Consistent T2.0 T-stop, controlled focus breathing, a robust cine-housing, and a crisp sharp image with a pleasing oval bokeh. They come natively in PL mount with an EF mount kit included....
The Meike Cinema Primes are bright cine primes suitable for up to high-resolution cine cameras. Top features include low-dispersion glass, a high refractive index, and little to no focus breathing. The fast aperture allows working in difficult lighting conditions and...
The NiSi Cinema 4×5.65” Allure Streak BLUE (2mm) is a special effects filter designed to render a single light ray from a point light source. This filter features a single series of etched lines spaced 2mm apart from each other, which...
The EF Cinema Zoom lens 14.5-60mm T2.6 provides a 4.1x zoom range for the Super 35mm format. Intended for the working professional, this lens is designed to fulfill contemporary 4K production standards. It features advanced optical design with fluorite and...
Utilize Fujinon's MK line of zooms on Sony's FZ mount cameras including the F5 and F55. Duclos Lenses has designed and manufactured a solution that allows for quick, simple swapping between the factory Sony E mount and new Sony FZ...
The Xeen line of lenses from Rokinon offer color-matched, fast high speed prime lenses with full manual operation in an aluminum alloy body. With industry standard 32-pitch focus and iris gears, common dimensions including a 114mm front ring, and optional...
The Duclos Lenses Voigtlander Nokton Cine-Mod prime lenses utilize a native Micro 4/3 mount for use on cameras such as the Blackmagic, Panasonic, and many others. The small size and lightweight nature of these lenses makes them an excellent choice...
The ARRI/FUJINON Alura Zooms combine the highest optical performance with an amazingly small size, weight and price. They are available as Studio zooms for use on a tripod or crane with a wider focal range, or as lightweight zooms which...
Angenieux has leveraged their extensive heritage to produce a truly creative tool for cinematographers. The Optimo Primes feature some of the finest in modern optical and mechanical design including 35mm Full Frame coverage, high speed T1.8 aperture in 10 of...
The Duclos Lenses Voigtlander Nokton Cine-Mod prime lenses utilize a native Micro 4/3 mount for use on cameras such as the Blackmagic, Panasonic, and many others. The small size and lightweight nature of these lenses makes them an excellent choice...
The Duvo Portable 12 pin pigtail to P-Tap power cable allows the Fujinon HZK14-100mm Duvo and Fujinon HZK24-300mm Duvo lens to connect to cameras that do not have the 12-pin connector.
The Tokina Cinema Vista ONE series of prime lenses feature high quality optical and mechanical design that focuses on the user experience and image control. A special single coated front element affords these lenses a unique, character-rich image in specific...
A timeless blend of technical quality and economical design, the Summicron-C primes feature a consistent T2 aperture across the entire set as well as common dimensions and gear position. The Summicron-C primes design provides a lightweight, compact form factor while...
Looking for the vintage look without the vintage hassle? Cooke Optics has revived their classic Cooke Speed Panchro optics concept and mated it to a modern, reliable mechanical housing for a truly unique style. The new Cooke Panchro/i Classic primes...
Firecrest is a revolutionary type of ND filter from Formatt Hitech. Rather than dyed resin, Firecrest is a rare earth mineral coating used to create hyper neutral NDs. The filters are made from 4mm thick Schott Superwite glass, and the multicoating...
The Meike Cinema Primes are bright cine primes suitable for up to high-resolution cine cameras. Top features include low-dispersion glass, a high refractive index, and little to no focus breathing. The fast aperture allows working in difficult lighting conditions and...
From the unique Ultra Prime 8R extreme wide angle lens to the best telephoto lens designed specifically for motion pictures, the Ultra Prime 180 mm, the Ultra Primes give you the flexibility to get the coverage you want. Ultra Prime...
The Master Prime Lenses finally realized a cinematographer's dream: lenses that are both fast and have an optical performance surpassing that of all standard speed primes. The Master Prime Lenses open up new creative opportunities, making shots possible that would...
Sumire, pronounced “Soo-mee-ray,” is the name of a Japanese flower, and like the petals of a flower, the Sumire lenses are most beautiful when fully opened. This is the inspiration behind the Sumire look. The Sumire Prime CN-E35mm T1.5 FP X...
Second generation of Optimo lightweight lenses, the Optimo Ultra compact lenses replace the famous academy awarded Optimo 15-40 and 28-76 lenses which have been the faithful companions of Directors of Photography for more than 15 years. This new generation of...
The ZEISS Milvus 2/100M of the type ZEISS Makro-Planar is currently the fastest 100mm macro lens on the market and closes the gap between long range and breathtaking close-up shots. This lens bridges distances and allows unique image compositions. This...
Angenieux has leveraged their extensive heritage to produce a truly creative tool for cinematographers. The Optimo Primes feature some of the finest in modern optical and mechanical design including 35mm Full Frame coverage and high speed aperture. The unique ability...
Fits directly in most 4x5.65 matte boxes. The knurled stainless post on the handle facilitates handling in rod mounted studio style matte boxes.
Designed by cinematographers for cinematographers, the Atlas Orion Series lenses combine the aesthetic of vintage anamorphic lenses with modern convenience, adaptability, and dependability. The Orion Series feature waterfall bokeh, streak flare, a pleasant spherical aberration glow when wide open, and...
The Proteus Anamorphic zooms feature a 2x squeeze ratio, constant T2.9 aperture, controlled focus breathing, a robust cine-housing, well-controlled distortions, and a crisp sharp image with a pleasing oval bokeh. Currently the most compact option available, these zooms are amazingly...
The ZEISS primes we've been waiting for! The Supreme primes offer Full Frame and Vista Vision coverage with consistent color rendering, image quality, and character across the entire line. 15mm through 200mm! The ZEISS eXtended Data is a unique technology which...
A range of seven high-performance prime lenses, the ARRI/ZEISS Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras. For the first time, a perfect combination of...
They say good things come in small packages. The Laowa Nanomorphs really pack a punch with their cinematic lens flares, smooth oval bokeh, close focusing distance, and uniform 1.5x squeeze ratio. 2x squeeze is possible with Laowa's Front Anamorphic Adapter. The...
A timeless blend of technical quality and economical design, the Summicron-C primes feature a consistent T2 aperture across the entire set as well as common dimensions and gear position. The Summicron-C primes design provides a lightweight, compact form factor while...
The Saturn Carbon Fiber 35mm T2.9 from Sirui provides a 1.6x Anamorphic squeeze which renders a classic cinematic 2.40:1 (on 3:2 sensors) or 2.8:1 (on 16:9 sensors) when desqueezed. Designed for mirrorless full frame camera systems, the compact, lightweight design...
Designed to cater to cinematographers and filmmakers on a budget, the Night Walker series features five versatile lenses, including 16mm, 24mm, 35mm, 55mm, and 75mm focal lengths, each boasting an impressive T1.2 aperture. These lenses are compatible with APS-C and...
The Meike Cinema Primes are bright cine primes suitable for up to high-resolution cine cameras. Top features include low-dispersion glass, a high refractive index, and little to no focus breathing. The fast aperture allows working in difficult lighting conditions and...
The Tokina Cinema Vista ONE series of prime lenses feature high quality optical and mechanical design that focuses on the user experience and image control. A special single coated front element affords these lenses a unique, character-rich image in specific...
The focal length of the Planar T* 1,4/50 is equal to the perspective of the human eye. Its fast aperture and exceptional compactness are its outstanding features. This lens produces pleasing portrait style quality at the widest aperture and sharpens...
Laowa’s Interchangeable Mount System allows filmmakers to adapt their Laowa cine lenses across a wide range of camera platforms without needing separate lenses for each mount. Designed for select Laowa cine lenses—including the Zero-D Shift and Wide-Angle VV Cine series—these...
Looking for the vintage look without the vintage hassle? Cooke Optics has revived their classic Cooke Speed Panchro optics concept and mated it to a modern, reliable mechanical housing for a truly unique style. The new Cooke Panchro/i Classic primes...
The Venus 100mm T2.9 from Sirui provides a 1.6x Anamorphic squeeze which renders a classic cinematic 2.40:1 (on 3:2 sensors) or 2.8:1 (on 16:9 sensors) when desqueezed. Designed for mirrorless full frame camera systems, the relatively compact, lightweight design makes...
This classic portrait lens captures people in their surroundings, playing with a range of sharpness, soft focus and contrast effects. Its distinctive circular bokeh is a crucial creative element. The Planar T* 1,4/85 produces very high quality and shallow depth-of-field...
The Irix Cine 150mm T3.0 Tele is the twin brother of the Irix Cine 150mm T3.0 Macro lens but is designed specifically to work on longer focusing distances. It is characterized primarily by a redesigned focusing mechanism – allowing for...
Based on the successful optical design or the Irix 150mm f/2.8 Macro 1:1, the Irix Cine 150mm is a lightweight, compact solution for achieving true 1:1 macro shots. An internal focus design means no compensating for telescoping front barrels. Integrated...
Constructed of high quality solid block of anodized aluminum, this premium scale model is a fully featured 1:2 scale model that will command attention with both impressive detail and weight (800 g). The details are so realistic you will think...
The Xeen line of lenses from Rokinon offer color-matched, fast high speed prime lenses with full manual operation in an aluminum alloy body. With industry standard 32-pitch focus and iris gears, common dimensions including a 114mm front ring, and optional...