Touted as the fastest full frame cinema prime, the Rokinon Xeen Meister primes feature delicately rounded bokeh, 300 degree focus rotation, Cooke i/data, a titanium front barrel, and a variety of mount options.
The Mirrorless Mount Kit for Leica R lenses is a precision-engineered, semi-permanent upgrade developed by the Duclos Lenses team to provide a more stable and accurate interface with modern mirrorless and cinema cameras. Installed directly over the original Leica R...
A range of seven high-performance prime lenses, the ARRI/ZEISS Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras. For the first time, a perfect combination of...
The Master Prime Lenses finally realized a cinematographer's dream: lenses that are both fast and have an optical performance surpassing that of all standard speed primes. The Master Prime Lenses open up new creative opportunities, making shots possible that would...
The ZEISS CP.3 lenses offer the perfect combination of high image quality and reliable usability. They exhibit the clean, crisp characteristics ZEISS is known for, together with an interchangeable mount system and full-frame coverage. The ZEISS CP.3 XD version features...
The new Laowa Sword Macro cine lenses cover Full Frame formats, delivering superb optical performance, stunning color rendition, and exceptional macro capabilities. Compact and light weight with each weighing in at under 2.2 lbs (1kg), they are among the lightest...
The Vista-C 85mm T1.5 uses a redesigned optical formula and updated coatings that lower overall contrast, shift flare hues toward red/blue, and produce gentler edge falloff compared with the original Vista primes. It maintains large-format coverage (≈46.7mm image circle) with...
A range of seven high-performance prime lenses, the ARRI/ZEISS Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras. With beautiful out-of-focus backgrounds and a smooth, cinematic...
The Ranger Zoom FF 3-Lens Bundle includes the 16-30mm, 28-75mm T2.9, and 75-180mm T2.9 zooms in PL mount. These zooms feature a constant T2.9 T-stop, controlled focus breathing, lightweight and compact build, and interchangeable mounts. They come natively in PL...
The NiSi Cinema 4×5.65″ Nano IRND Soft-Edge Graduated Filter is a graduated neutral density filter that darkens bright areas of an image, such as skies while leaving the remainder of the frame unaffected.
The Leitz Cine MacroLux diopters offer cinematographers and lens owners a creative way to get different looks and extend the performance of prime, zoom and anamorphic lenses with 95mm front diameters. The modern lens design of the Leitz Cine MacroLux creates...
The Mercury 54mm T2.2 lens is a must-have for every filmmaker, providing warm vintage tones, 1.5x anamorphic squeeze ratio with enhanced bokeh, and a dynamic optical geometric personality. It features golden flares from direct light sources, near-zero chromatic aberration, and pleasant...
The new Radiant Black™ filter is the ultimate filter for all facets of portrait takes, from intimate close-ups to wide-angle shots. It brings out exquisite skin tones, provides excellent contrast control, preserves rich blacks and prevents unwanted haze."Radiant Black™ glass filters are...
Developed for full frame/VistaVision formats, the set of Leitz Primes ranges from 18mm to 180mm and features a T1.8 aperture.
The Sigma Cine Classic 14mm T3.2 is an ultra-wide prime designed for full-frame cinema sensors, offering a sweeping field of view with a distinctively nostalgic visual character. While its transmission rating is T3.2, the optical design is still based on...
The Laowa Sunlight 70-135mm T4.5 2x FF Anamorphic Zoom from Venus Optics is a compact and lightweight lens designed for full-frame sensors. It delivers a versatile focal range with a total zoom ratio of around 1.93x when paired with the...
The new Laowa Sword Macro cine lenses cover Full Frame formats, delivering superb optical performance, stunning color rendition, and exceptional macro capabilities. Compact and light weight with each weighing in at under 2.2 lbs (1kg), they are among the lightest...
The new Laowa Nanomorph LF primes feature the same characteristics as their Super35 siblings with their cinematic lens flares, smooth oval bokeh, close focusing distance, and uniform 1.5x squeeze ratio. 2x squeeze is possible with Laowa's Front Anamorphic Adapter. The lenses are...
Angenieux has leveraged their extensive heritage to produce a truly creative tool for cinematographers. The Optimo Primes feature some of the finest in modern optical and mechanical design including 35mm Full Frame coverage, high speed T1.8 aperture in 10 of...
The Argus Cine MFT line of lenses share a common ultra-fast T1 maximum aperture for low-lighting performance. They feature dreamy bokeh, minimal focus breathing, and consistent color rendition and lens performance across the series. Available Micro 4/3 mount.
The ZEISS primes we've been waiting for! The Supreme primes offer Full Frame and Vista Vision coverage with consistent color rendering, image quality, and character across the entire line. 15mm through 200mm! The ZEISS eXtended Data is a unique technology...
The Laowa 15-24mm T8 Probe Zoom offers a dramatic, ultra-wide perspective with the flexibility of a zoom range and a direct, 0° view—ideal for tabletop setups, product cinematography, and tight shooting environments. With full-frame coverage, a minimum working distance of...
The Vista-C 21mm T1.5 uses a redesigned optical formula and updated coatings to reduce overall contrast, bias flares toward red/blue, and introduce a gentler falloff compared with the original Vista primes. It maintains large-format coverage (≈46.7 mm image circle) with series-standard...
The ZEISS Batis autofocus lenses were developed especially for mirrorless, full-frame system cameras by Sony. The lenses are fully compatible with all E-mount cameras and offer protection against dust and splashes of water in addition to fast and easy autofocus....
The Meike Cinema Primes are bright cine primes suitable for up to high-resolution cine cameras. Top features include low-dispersion glass, a high refractive index, and little to no focus breathing. The fast aperture allows working in difficult lighting conditions and...
The Leitz Cine MacroLux diopters offer cinematographers and lens owners a creative way to get different looks and extend the performance of prime, zoom and anamorphic lenses with 114mm front diameters. The modern lens design of the Leitz Cine MacroLux creates...
The NiSi Swift True Color ND-VARIO Pro Nano 1.5-5stops Enhanced Variable ND is a variable neutral density filter providing an exposure reduction of 1.5 to 5 stops. The degree of density is easily controlled by rotating the silver knob. The...
The Leitz Cine HEKTOR T2.1 6-Lens Set includes 18mm, 25mm, 35mm, 50mm, 73mm, and 100mm prime lenses, designed to deliver a distinctive aesthetic for full-frame cinema cameras. These professional cine primes feature interchangeable mirrorless mounts, precisely matched gearing for smooth...
Looking for the vintage look without the vintage hassle? Cooke Optics has revived their classic Cooke Speed Panchro optics concept and mated it to a modern, reliable mechanical housing for a truly unique style. The new Cooke Panchro/i Classic primes...
Genuine factory replacement 100mm front cap for the Laowa 12mm Zero-D Cine.WARNING: There are some early Laowa 12mm models that have a front diameter of 102mm. Please check the size of your front diameter before ordering. This cap will NOT...
For those long, cold nights on location - stay warm with a Duclos Lenses Zip Hoodie. Available in "film grain grey", cotton/polyester blend.
The Mitakon Zone 50mm T1 from ZY Optics is an ultra-fast, standard-length cinema prime for full-frame and VistaVision PL/EF cinema systems. Its T1.0 maximum aperture is among the fastest available for large-format cinema, delivering extreme shallow depth of field and...
The Canon CN-E 85mm T1.3 L F Cinema Prime Lens is a desirable short telephoto focal length, offering a flattering perspective for portraiture and close-ups on both Full Frame and Super 35 sensor formats. This high-speed optic features a very...
The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors, at least the full sensor area of the RED Weapon 8K (46.31mm image circle). Shoot 35mm / Super 35mm formats, full...
The ZEISS primes we've been waiting for! The Supreme primes offer Full Frame and Vista Vision coverage with consistent color rendering, image quality, and character across the entire line. 15mm through 200mm! The ZEISS eXtended Data is a unique technology which...
The ZEISS Supreme Zoom Radiance lenses feature the same T* blue lens coating as the Supreme Prime Radiances and match the look with consistent flares and warmer color rendition than standard coated Supreme Primes. When aiming a point light toward...
The Xeen line of lenses from Rokinon offer color-matched, high speed prime lenses with full manual operation in an aluminum alloy body. With industry standard 32-pitch focus and iris gears, common dimensions including a 114mm front ring, and optional Arri...
The Zeiss Aatma 40mm T1.5 strikes a balance between wide and standard perspectives, offering a slightly elevated sense of space with a natural, cinematic rendering. Its image character includes soft contrast, refined focus transitions, and structured bokeh, making it a...
An original Duclos Lenses design - the PRO Cap provides the most protection one could ask for in a cap. Its two piece construction consists of an anodized aluminum shell for impact protection with a black Delrin® acetyl insert to...
Named after the humanitarian daughter of Ernst Leitz II (Elsie Kühn-Leitz), the Leitz ELSIE lenses are designed for full frame performance with a consistency in size and speed to serve a broad range of productions. The 13 lens set ranges from 15mm...
The Meike Cinema Primes are bright cine primes suitable for up to high-resolution cine cameras. Top features include low-dispersion glass, a high refractive index, and little to no focus breathing. The fast aperture allows working in difficult lighting conditions and...
The 30-105mm T2.8 Compact Zoom from Canon features a straight-forward approach to professional motion picture zoom lenses. With excellent image quality capable of resolving 4k images while minimizing unwanted effects such as breathing, flares, and fringing, the Canon 30-105mm is the...
The Zeiss Nano Prime 75mm T1.5 is a high-speed, full-frame cinema lens. Available in a native Sony E mount (more mounts to come soon). The close focus of the 75mm Nano Prime combined with the high-speed T1.5 aperture provide ultra shallow depth...
This custom hard case from Thypoch provides secure transport and storage for a set of four or five Simera-C cine lenses. The silver exterior is paired with a precision-cut foam interior, offering dedicated compartments for each lens and additional slots...
Angenieux has leveraged their extensive heritage to produce a truly creative tool for cinematographers. The Optimo Primes feature some of the finest in modern optical and mechanical design including 35mm Full Frame coverage, high speed T1.8 aperture in 10 of...
Angenieux has leveraged their extensive heritage to produce a truly creative tool for cinematographers. The Optimo Primes feature some of the finest in modern optical and mechanical design including 35mm Full Frame coverage, high speed T1.8 aperture in 10 of...
The CN-E14-35mm T1.7 expands the Flex Zoom series to include support for Super 35mm cinema cameras. The new lenses, available in interchangeable EF and PL mounts, help produce video with beautiful and natural background blur that is desired by many end-users....
All ten of Sigma's finest cinema prime lenses. These ten prime lenses are compact, offer full-frame coverage, and rival high-end prime sets with their superior resolution. All ten lenses have a common 95mm front ring and focus/iris gear position which...