A new chapter in digital cinema has begun. From the earliest hint of large format digital cinematography, Duclos Lenses has been promoting motion picture optics that feature a generous image circle. While we firmly believe that the industry standard Super 35 format will remain a key option, it's clear that the Full Frame / Vista Vision formats are here to stay as well.
Featuring the all new LPL mount, the Signature Primes exemplify state-of-the-art optical precision, they have been designed to render organic, emotionally engaging images, gently softening and texturizing the large format with natural skin tones and creamy bokeh in a lightweight, fast package.
The Canon CN-E prime lenses offer a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments. Designed to fulfill contemporary 4K production standards, these lenses are perfect for any number of applications.
The S7/i's are Cooke's answer to Full Frame and Vista Vision with an impressive image circle of 46.31mm (slightly larger than Full Frame). Hand-crafted in England, these lenses allow cinematographers to have coverage while still maintaining the rich, romantic image quality of the 'Cook Look'.
The Leica Thalia prime lenses offer a consistently cinematic look and feel throughout the range of 9 lenses with an image circle of 60mm. The lenses are incredibly lightweight and compact with a matched front diameter of 95mm and are available in PL mount with /i Technology metadata contacts.
Featuring the all new LPL mount, the Signature Primes exemplify state-of-the-art optical precision, they have been designed to render organic, emotionally engaging images, gently softening and texturizing the large format with natural skin tones and creamy bokeh in a lightweight, fast package.
These seven prime lenses are compact, offer full-frame compatibility, and rival high-end prime sets with their superior resolution. Allowing users to shoot a variety of cuts without lighting changes, the FF High Speed Prime Line meets all the demands of professional movie creation.
With an entirely new mechanical design, the Sigma Cine 24-35mm T2.2 is a very versatile, capable lens with features common to the motion picture industry including excellent color matching across all Sigma Art lenses, common gear diameter and position, standardized 95mm front ring, and plenty more.
All of the Xenon FF-Primes feature a 35mm Full Frame image circle. At approximately 3.5 lbs each, these primes are perfectly sized for handling and portability. The integrated focus, and iris gears are all arranged in the same position from the mount making lens swaps a breeze while shooting.
The brand new Tokina Cinema Vista series of prime lenses feature high quality optical and mechanical design that focuses on the user experience and image control. The Cinema Vista primes exhibit an image circle that exceeds that of 35mm Full Frame making them an excellent choice for large format cameras.
Angenieux offers three Full Frame zooms. The new EZ series for a light-weight ENG option and the brand new Optimo Ultra 12x, featuring a brand new optical and mechanical design. The EZ's come in a S35 and FF version and the Optimo Ultra comes in S35, U35 (Ultra 35) and Full Frame/Vista Vision.
Zeiss' all new line of professional motion picture prime lenses - the Supreme Primes, are the Zeiss lenses we've been waiting for. High speed (T1.5), large format coverage in a light weight, compact package. The new Supreme Primes are a powerful tool to bring creativity to cinematographers and their work.
Zeiss Zooms
Achieve a focal range of 15mm all the way to 200mm with this set of three compact zoom lenses from Zeiss. Comprised of the 15-30mm, 28-80mm, and 70-200mm, all T2.8 with 35mm full frame coverage and user interchangeable mounts, this set of professional cinema zoom lenses is the perfect compliment to your Zeiss primes
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